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Talking Out Your Glass podcast

As editor of Glass Art magazine from 1987 to March 2019, Shawn Waggoner has interviewed and written about multitudes of the world’s greatest artists working glass in the furnace, torch, and on the table. Rated in iTunes News and Noteworthy in 2018, Talking Out Your Glass continues to evolve, including interviews with the nation’s finest borosilicate artists making both pipes and sculpture on the torch. Other current topics include how to work glass using sustainable practices and how artists address the topics of our times such as climate change, the political chasm, and life in the age of technology.
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Your Podcast Source for Interviews and Information on

Hot, Warm and Cold Glass!

www.glassartmagazine.com

Feb 13, 2025

Nothing short of inspirational, Martin Gerdin’s journey through crafting wild fish in hot glass is inextricably tangled with his evolution to mental health and sobriety. Beginning during the pandemic, the artist has hand-blown dozens of meticulously detailed trout, salmon, redfish, and other revered gamefish from his glassblowing studio, Gerdin Glass in Crawford, Colorado. The dangers, volatility, and physical labor of blowing glass are symbolic of the challenges he faced and conquered on his pathway to sober living. 

For some, fly fishing is a pastime, something fun to pursue on a long weekend or camping trip with friends and family. For others, it’s a calling, a religion, lionized in the literary creations of Ernest Hemingway and Norman Maclean among many others. Gerdin clearly falls into the latter category. He states: “Some say fly fishing is an art. I spend my days on our stunning Colorado river systems catching beautiful wild trout, and I spend my nights in the studio recreating them in glass. My life is a confluence of passion.”

Gerdin’s father, a professional skier for most of his career, decided to raise his family as far away from civilization as possible. In the Rocky Mountains, some 8,500 feet above sea level, his son’s community was built around skiing, conventional fishing, and dirt bikes. Gerdin’s mother played a central role in his early angling and artistic exploits. “There were two archetypes in my home growing up — the super athletes and the artist fishermen, and nothing in between,” he states. Gerdin and his mother connected through time spent fishing their local waterways while other members of the family were focused on more physically demanding recreation on the mountain. When not on the water, his mother would create complex beaded and woven patterns in her home art studio.

Raised in the wilderness, Gerdin’s childhood fostered a love for the natural forms and colors that surrounded him during his youth, especially those in the rivers. He began blowing glass in 2008, when he discovered the hot shop at his high school, Colorado Rocky Mountain School in Basalt, Colorado, headed by Dave Powers and after Gerdin graduated by Jose Chardiet. Fascinated by the material, he spent every spare moment learning and absorbing as much as he could. Being an avid fisherman, blown glass fish were a natural progression in his artistic journey.

As Gerdin grew, he lost his way. Addiction clawed its way into every aspect of his life, and he lost his vision for the future. Doing craft shows and drinking enough to prevent seizures due to alcoholism became the norm. On May 13, 2020, he decided enough was enough. After addiction treatment he fell into a crowd of young, sober fly fishermen. With a clear head and a fresh perspective, the artist strived to bring the beautiful wild salmonids he saw to life in glass. Since his sobriety date, Gerdin has made more than 700 fish, making his own tools and trying to push the limits in sculpting realism. His collectors are many and include the likes of other fly fishermen such as Kevin Costner and Jimmy Kimmel. 

Moving into the next iteration of his craft, Gerdin is pushing his technical and creative skills to realize a new series of trout, which he calls Naturalisms, stemming from the philosophical idea that everything arises from natural properties and causes. At age 31, his journey is just beginning.

From March 7 -9, Gerdin will demonstrate his processes and techniques at Third Degree Glass Factory, St. Louis, Missouri. Founded in 2002, it is a multifaceted venue for year-round exhibitions, classes, events and studio rental. Register for the Glasma Conference at studioglassbatch.com.