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Talking Out Your Glass podcast

As editor of Glass Art magazine from 1987 to March 2019, Shawn Waggoner has interviewed and written about multitudes of the world’s greatest artists working glass in the furnace, torch, and on the table. Rated in iTunes News and Noteworthy in 2018, Talking Out Your Glass continues to evolve, including interviews with the nation’s finest borosilicate artists making both pipes and sculpture on the torch. Other current topics include how to work glass using sustainable practices and how artists address the topics of our times such as climate change, the political chasm, and life in the age of technology.
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Now displaying: June, 2016

Your Podcast Source for Interviews and Information on

Hot, Warm and Cold Glass!

www.glassartmagazine.com

Jun 24, 2016

In this interview from Glass Art magazine's archives, Tina Oldknow, former Curator of Modern and Contemporary Glass at The Corning Museum of Glass, discusses the museum's new Art + Design Wing. She also reveals her criteria for Rakow Commission award recipients and how museum donations were secured and incorporated into CMOG's collection. Part 2 of 2.

 

Jun 10, 2016

Have you ever wondered how artists are selected for The Corning Museum of Glass' survey of cutting edge glass - New Glass Review?

Well this is the podcast for you!

To celebrate the Glass Art Society's conference being held in Corning, New York, this weekend, Talking Out Your Glass podcast presents a two-part interview from its archives. This conversation with Tina Oldknow, former curator of modern and contemporary glass at The Corning Museum of Glass, begins with the evolution of Oldknow's career in glass. She also discusses her favorite special exhibitions and how her view of contemporary glass and glass artists has evolved over time.

 

Jun 1, 2016

The Big D.R.M.S. Project, Ben Belgrad's philanthropic glass enterprise, combines stems designed by collaborating artists with Belgrad’s borosilicate cups and glasses. Each color used is associated with a unique charity, and for every purchase, a minimum $100 donation is made. Belgrad attempts to partner with charities that have little to no overhead in terms of operational costs and staffing. Belgrad discusses the origins of The Big D.R.M.S. project and how collectors and artists can get involved.

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